AIMC 2022

Anna Aljanaki. Attitude towards and evaluation of computer-generated music in music listeners and musicians

Axel Chemla–Romeu-Santos and Philippe Esling. Challenges in creative generative models for music: a divergence maximization perspective

Nutan Chen, Djalel Benbouzid, Francesco Ferroni, Mathis Nitschke, Luciano Pinna and Patrick van der Smagt. Flat Latent Manifolds for Human-machine Co-creation of Music

Emmanuel Deruty and Maarten Grachten. “Melatonin”: A Case Study on AI-induced Musical Style

Luc Döbereiner. Artistic Potentials of Fallacies in AI Research

Luke Dzwonczyk, Léo Chédin, Alejandro Saldarriaga-Fuertes, Max Sherr, Hélène-Camille Crayencour and Carmine-Emanuele Cella. Source Separation Methods for Computer-assisted Orchestration

Mark R. H. Gotham, Kunpeng Song, Nicolai Böhlefeld and Ahmed Elgammal. Beethoven X: ‘Es könnte sein!’ (‘It could be!’)

Behzad Haki, Marina Nieto, Teresa Pelinski and Sergi Jordà. Real-Time Drum Accompaniment Using Transformer Architecture

Steven Jan. Universal Acid in the Computer Chip: Music, Memetics and Metacreation

Atsuya Kobayashi, Ryogo Ishino, Ryuku Nobusue, Takumi Inoue, Keisuke Okazaki, Shoma Sawa and Nao Tokui. MR4MR: Mixed Reality for Melody Reincarnation

Sarah Lecompte-Bergeron, Dominic Thibault, and I Putu Arya Deva Suryanegara. Automatic Transcription of “Gambang” Balinese Gamelan

Jeremy J. Lee, Carmine Cella and Hélène-Camille Crayencour. Vivace: Web Application for Real-Time feedback on Piano Performance

Philon Nguyen and Eldad Tsabary. Random Walks on Neo-Riemannian Spaces: Towards Generative Transformations

Fabian Ostermann, Igor Vatolkin, and Günter Rudolph. Artificial Music Producer: Filtering Music Compositions by Artificial Taste

Victor Shepardson, Jack Armitage and Thor Magnusson. Notochord: a Flexible Probabilistic Model for Embodied MIDI Performance

Bob L. T. Sturm. The Ai Music Generation Challenge 2021: Summary and Results

Koray Tahiroğlu and Miranda Kastemaa. Augmented Granular Synthesis Method for GAN Latent Space with Redundancy Parameter

The Sound of AI Community. From Words to Sound: Neural Audio Synthesis of Guitar Sounds with Timbral Descriptors

Aiko Uemura and Tetsuro Kitahara. Morphing-based Reharmonization with VAE: Reducing Dissonance with Consonance-based Loss Function

Elliott Waissbluth, Jon Gillick and Carmine Cella. Synthesis by Layering: Learning a Variational Space of Drum Sounds

Mia Windsor. Using raw audio neural network systems to define musical creativity